·Î±×ÀÎ
¤Ó
ȸ¿ø°¡ÀÔ
¤Ó
Àå¹Ù±¸´Ï
¤Ó
°í°´¼¾ÅÍ
¤Ó
¸¶ÀÌÆäÀÌÁö
¤Ó
ȸ»ç¼Ò°³
Àüü
Àüü
±¹³»µµ¼
¿Ü±¹µµ¼
Àαâ°Ë»ö¾î
ÀϹÝ
ÀΰøÁö´É
¼ÒÇÁÆ®¿þ¾î
CAD-CAM
°è»ê±â
CD-ROM
ÄÄÆÄÀÏ·¯
ÄÄÇ»Åͱ¸Á¶
ÄÄÇ»Åͱ׷¡ÇȽº
ÄÄÇ»ÅÍ »ç¿ë ´É·Â
ÄÄÇ»ÅͰúÇÐ
º¸¾È/¾ÈÀü
ÄÄÇ»ÅͺñÀü
»çÀ̹ö³×ƽ½º
ÀÚ·áó¸®
º¹¿ø
µ¥ÀÌÅÍ Àü¼Û
µ¥ÀÌÅͺ£À̽º°ü¸®
ÀüÀÚÃâÆÇ
±³À° ¼ÒÇÁÆ®¿þ¾î
ÄÄÇ»ÅÍ IT
ÀϹÝ
°ÇÃàºñÆò
°ÇÃàµðÀÚÀÎ
°ÇÃà»ç
°ÇÃà°¡
½Ç³»µðÀÚÀÎ
Á¶°æ
°ÇÃà°èȹ
°ø°ø°Ç¹°/»ê¾÷ºôµù
Âü°íÀÚ·á
°ÇÃàÇÐ
¹®ÈÀ纸Á¸
½Ç½À
Á¾±³¹°
ÇÁ·ÎÁ§Æ® °ü¸®
±¹Á¦ °ÇÃà¼ú
°ÇÃàȸ»ç
īŻ·Î±×/Àü½Ãȸ
Áö¿ª
°Ç¹°
°ÇÃà
ÀϹÝ
Ã¥
Ŭ¸³¾ÆÆ®
Àå½ÄÀûÀÎ ¿¹¼ú
¿¡¼¼ÀÌ
À¯Çà
°¡±¸
Graphic Arts
¿ª»ç & ºñÆÇ
»ê¾÷
ÀÎÅ׸®¾î
Á¦Ç°
Âü°íÀÚ·á
Á÷¹° & º¹Àå
µðÀÚÀÎ
µå¶ó¸¶/Èñ°î
¸¸È
ÀϹÝ
¹®ÇкñÆò
½Ã
À¯¸Ó
Àü±â/ÀÚ¼Àü
¼Ò¼³
¹®ÇÐÀÌ·Ð
¹®ÇÐ
ÀϹÝ
¾ËÆÄºª
Ä¿¹Â´ÏÄÉÀ̼Ç
±Û¾²±â/ÀÛ¹®
¹®¹ý
¼Õ±Û¾¾
Àú³Î¸®Áò
¾ð¾îÇÐ
¹®ÇÐ
À½¼ºÇÐ
Àбâ
¼ö»çÇÐ
Àǹ̷Ð
¼öÈ
¿¬¼³
öÀÚ¹ý
¾ð¾î±³À°
¾îÈÖ
ÆíÁý/±³Á¤
¹ø¿ª/ÇØ¼®
¾ð¾î/¾ð¾îÇÐ
°¡Á¤/»çȸ»ýȰ
±³À°
¹üÁË
¹ýÇÐ
»çȸÇÐ
½É¸®ÇÐ
Á¤½Å
Á¾±³
öÇÐ
ÇнÀµµ±¸
»çȸÇÐ
´ëÇб³Àç
µ¶¼/±Û¾²±â
¹®ÇÐÀÌ·Ð
¹®ÇåÁ¤º¸ÇÐ
¾ð¾îÇÐ
¿ªÇÐ/»çÁÖ
À¯¾Æ±³À°
Àι®±³¾ç¹®°í
Àι®ÇÐÀϹÝ
Àι®»çȸ
ÀϹÝ
ȸ°è
ºñÁî´Ï½ºÄ¿¹Â´ÏÄÉÀ̼Ç
°æ·Â°ü¸®
º¸Çè
ÅõÀÚ & ¾ÈÀü
°æ·Â
³ë»ç¹®Á¦
¸¶ÄÉÆÃ
À繫
ºÎµ¿»ê
ÂüÁ¶
°æ·Â°ü¸®
ÆÇ¸Å°ü¸®
¼ÒÈ£/¼Ò±â¾÷
¼¼±Ý
°æÁ¦
°³º°»ê¾÷
ºñ¼
e-business
ºñÁî´Ï½º/°æÁ¦
°úÇÐ
ÈÇÐ
»ý¸í°øÇÐ
°úÇбâ¼ú
³óÇÐ
°ÇÃà
ÀüÀÚ°øÇÐ
engineering
»ê¾÷µðÀÚÀÎ
±³Åë
¼öÇÐ
ÀÚ¿¬
°øÇÐÀϹÝ/»ê¾÷°øÇÐ
»ýȰ°úÇÐ
Åä¸ñ/°Ç¼³
ȯ°æ/¼Ò¹æ/µµ½Ã/Á¶°æ
ÀÚ¿¬°úÇÐ/±â¼ú°úÇÐ
°Ç°
Áúº´
ÀÇÇÐ
°ø°øÀÇ·á
Ä¡ÀÇÇÐ
½Å°æÇÐ
°£È£ÇÐ
Á¤½Å°ú
¼öÀÇÇÐ
¼ö¼ú
¾àÇÐ
ºñ´¢±â°ú
ÀÇÇÐ/°Ç°
¿©Çà
¿ª»ç
½ÅÈ
¿ª»ç/Áö¸®/°ü±¤
°ø¿¬¿¹¼ú
»çÁø
¿¹¼ú
À½¾Ç
·¹ÄÚµåÀ½¾Ç
Áý²Ù¹Ì±â
ÆÐ¼Ç/ÀÇ·ù
¿¹¼ú/´ëÁß¹®È
ÀϹÝ
Ȱµ¿ & ¸ðÇè
µ¿¹°
¿¹¼ú
Àü±â
¼Ò³â/³²ÀÚ
»ç¾÷, °æ·Â, Á¡·É
°íÀü
¸¸È
ÄÁ¼ÁºÏ
Bedtime & Dreams
ÀÎÁ¾
µ¿È/Àü·¡µ¿È
°¡Á·
¿©ÀÚ¾ÆÀÌ
°Ç°/º¸°Ç
¿ª»ç
ÈÞÀÏ/ÃàÁ¦
°øÆ÷ & ±«´ã
ÇØÇÐ À̾߱â
¾Æµ¿¹®ÇÐ
ÀϹÝ
¾×ƼºñƼºÏ
µ¿¹°
¿¹¼ú
Àü±â/ÀÚ¼Àü
ÄÄÇ»ÅÍ
ÄÁ¼ÁºÏ
¿ä¸®
Ãë¹Ì/¿¹¼ú
µå¶ó¸¶
ÀÎÁ¾
°¡Á·
¿Ü±¹¾î ÇнÀ
°ÔÀÓ
Gardening
¿©ÀÚ¾ÆÀÌ
°Ç°/º¸°Ç
¿ª»ç
ÈÞÀÏ/ÃàÁ¦
À¯¸Ó
À¯¾Æ/¾î¸°ÀÌ
°ÔÀÓ
°íÀü/¼öÁý
½ºÆ÷Ã÷/¿©°¡
¾Ö¿Ïµ¿¹°
¿ø¿¹
Ãë¹Ì/°ø¿¹
¿µ»ó & ÀüÀÚ
°¡Á¤/»ýȰ
Ãë¹Ì/½Ç¿ë
ÀϹÝ
Áö¿ªº°
ÄÚ½º
Á¶¸®¹ý
°Ç°½Ä/Ä¡·á½Ä
À½·á
¼Õ´ÔÁ¢´ë
Àç·áº°
Å×ÀÌºí¼¼ÆÃ
ä½ÄÁÖÀÇ
°èÀýº°
À¯¾Æ½Ä
¿ä¸®
ÀϹÝ
¿¬°¨
ÁöµµÃ¥
¼Áö »öÀÎ
īŻ·Î±×
ȍ˟
µð·ºÅ丮
¹é°ú»çÀü
Áöµµ
±Û¾²±â
¿¬°¨
Æí¶÷/¸Å´º¾ó
»çÀü·ù/Âü°íÀÚ·á
ÀϹÝ
°ø¹«¿ø ¼öÇè¼
±¹°¡°í½Ã
°ø»ç/±â¾÷ ¼öÇè¼
¾È³»¼
ÄÄÇ»ÅÍ
Àι®/»çȸ/¹ý °ü·Ã
°æÁ¦/±ÝÀ¶/ȸ°è °ü·Ã
°ÇÃà/Åä¸ñ/±â°è°ü·Ã
°¡½º/¾ÈÀü/ȯ°æ °ü·Ã
À½½Ä/¹Ì¿ë °ü·Ã
ÀÇÇÐ/À§»ý °ü·Ã
º¸°Ç/ÀÇ·á °ü·Ã
¿îÀü/°ü±¤/±âŸ °ü·Ã
Ãë¾÷/»ó½Ä/¸éÁ¢
ÁøÇÐ/À¯ÇÐ
´ëÇб³Àç
ÀüÀÚ/Àü±â °ü·Ã
¼öÇè¼/ÀÚ°ÝÁõ/Ãë¾÷
ÀϹÝ
¾Ö¿Ïµ¿¹°/µ¿¹°
¿¹¼ú
ºñÁî´Ï½º
ÄÄÇ»ÅÍ
Ãë¹Ì
½Ã»ç
Àü±â/ÀüÀÚ
¿£ÅÍÅ×ÀÎ¸ÕÆ®
food/wine
°ÔÀÓ/¸¸È
lifestyle
¿£ÅÍÅ×ÀÎ¸ÕÆ®
¿ª»ç
°Ç°
Ãë¹Ì
home/housing
½ºÆ÷Ã÷
¹®ÇÐ
³²¼º
¿¬¼Ó°£Ç๰
½Ã
Ȩ
>
°ÇÃà
µðÀÚÀÎ
¹®ÇÐ
¹ÌºÐ·ù
ºñÁî´Ï½º/°æÁ¦
»çÀü·ù/Âü°íÀÚ·á
¼öÇè¼/ÀÚ°ÝÁõ/Ãë¾÷
¾Æµ¿¹®ÇÐ
¾ð¾î/¾ð¾îÇÐ
¿ª»ç/Áö¸®/°ü±¤
¿¬¼Ó°£Ç๰
¿¹¼ú/´ëÁß¹®È
¿ä¸®
À¯¾Æ/¾î¸°ÀÌ
ÀÇÇÐ/°Ç°
Àι®»çȸ
ÀÚ¿¬°úÇÐ/±â¼ú°úÇÐ
Ãë¹Ì/½Ç¿ë
ÄÄÇ»ÅÍ IT
>
µå¶ó¸¶/Èñ°î
¸¸È
¹®ÇкñÆò
¹®ÇÐÀÌ·Ð
¼Ò¼³
½Ã
À¯¸Ó
ÀϹÝ
Àü±â/ÀÚ¼Àü
°íÀü¹®ÇкñÆò
(181)
¸í¹®Áý
(169)
¼»ç½Ã
(0)
¿µ°¨ & Á¾±³
(818)
¿µ½Ã
(24)
ÀϹÝ
(549)
Áö¿ªº°
(706)
ÆíÁö(Ã÷ÁöÈ÷Å䳪¸®ÀÇ)
¼Ò´ãÃâÆÇ»ç I Ã÷Áö È÷Å䳪¸®
Àüüµµ¼
±¹³»¼
¹ø¿ª¼
¿ø¼
ÀâÁö
¿À¸§Â÷¼ø
³»¸²Â÷¼ø
¡Ø ¼±ÅúоßÀÇ
Á¤»óÆÇ¸Å
µµ¼Á¾¼ö :
ÃÑ 2,447 Á¾
ÀÔ´Ï´Ù.
1
2
3
4
5
6
7
8
9
10
Return to the City of White Donkeys: Poems
Ecco
|
James Tate
| ¿ø¼ | 2014-11-12
Á¾ÇÕÆòÁ¡
¤Ó
¼Æò(0°³)
Á¤°¡ 21,000¿ø
¡æ
ÆÇ¸Å°¡ 14,700¿ø
(30%
) | ¸¶Àϸ®Áö 150¿ø(
1%)
¿¹»óÀÔ°í±â°£:
7~12ÀÏ ¼Ò¿ä¿¹Á¤
(±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù.
1:1 µµ¼¹®ÀÇ
Sea Change
Ecco
|
Jorie Graham
| ¿ø¼ | 2014-11-12
Á¾ÇÕÆòÁ¡
¤Ó
¼Æò(0°³)
Á¤°¡ 19,600¿ø
¡æ
ÆÇ¸Å°¡ 13,700¿ø
(30%
) | ¸¶Àϸ®Áö 140¿ø(
1%)
¿¹»óÀÔ°í±â°£:
7~12ÀÏ ¼Ò¿ä¿¹Á¤
(±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù.
1:1 µµ¼¹®ÀÇ
Return to the City of White Donkeys: Poems
Ecco
|
James Tate
| ¿ø¼ | 2014-11-12
Á¾ÇÕÆòÁ¡
¤Ó
¼Æò(0°³)
Á¤°¡ 21,000¿ø
¡æ
ÆÇ¸Å°¡ 14,700¿ø
(30%
) | ¸¶Àϸ®Áö 150¿ø(
1%)
¿¹»óÀÔ°í±â°£:
7~12ÀÏ ¼Ò¿ä¿¹Á¤
(±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù.
1:1 µµ¼¹®ÀÇ
Sea Change
Ecco
|
Jorie Graham
| ¿ø¼ | 2014-11-12
Á¾ÇÕÆòÁ¡
¤Ó
¼Æò(0°³)
Á¤°¡ 19,600¿ø
¡æ
ÆÇ¸Å°¡ 13,700¿ø
(30%
) | ¸¶Àϸ®Áö 140¿ø(
1%)
¿¹»óÀÔ°í±â°£:
7~12ÀÏ ¼Ò¿ä¿¹Á¤
(±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù.
1:1 µµ¼¹®ÀÇ
Chanson de Roland: Student Ed.
Pennsylvania State University Press
|
Gerard J. Brault
| ¿ø¼ | 2013-07-15
Á¾ÇÕÆòÁ¡
¤Ó
¼Æò(0°³)
Á¤°¡ 51,000¿ø
¡æ
ÆÇ¸Å°¡ 41,800¿ø
(18%
) | ¸¶Àϸ®Áö 510¿ø(
1%)
¿¹»óÀÔ°í±â°£:
7~12ÀÏ ¼Ò¿ä¿¹Á¤
(±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù.
1:1 µµ¼¹®ÀÇ
Homer: Iliad III
Duckworth Publishers
|
HOMER
| ¿ø¼ | 2013-04-01
Á¾ÇÕÆòÁ¡
¤Ó
¼Æò(0°³)
Á¤°¡ 29,100¿ø
¡æ
ÆÇ¸Å°¡ 21,500¿ø
(26%
) | ¸¶Àϸ®Áö 290¿ø(
1%)
¿¹»óÀÔ°í±â°£:
7~12ÀÏ ¼Ò¿ä¿¹Á¤
(±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù.
1:1 µµ¼¹®ÀÇ
These volumes represent each author's best and most famous writings. This finely crafted and affordable series offers the works of these world-renowned authors to a wider audience.
Yeats's Nations: Gender, Class, and Irishness
Cambridge University Press
|
Marjorie Howes
| ¿ø¼ | 2013-01-18
Á¾ÇÕÆòÁ¡
¤Ó
¼Æò(0°³)
Á¤°¡ 71,400¿ø
¡æ
ÆÇ¸Å°¡ 57,100¿ø
(20%
) | ¸¶Àϸ®Áö 710¿ø(
1%)
¿¹»óÀÔ°í±â°£:
20~25ÀÏ ¼Ò¿ä¿¹Á¤
(±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù.
1:1 µµ¼¹®ÀÇ
'An exemplary instance of the mutually enriching engagement between theoretical enquiry and the close reading of literary texts.' Seamus Deane
Simon Dach (16051659): Werk Und Nachwirken
Walter de Gruyter
|
Axel E. Walter
| ¿ø¼ | 2012-05-30
Á¾ÇÕÆòÁ¡
¤Ó
¼Æò(0°³)
Á¤°¡ 303,800¿ø
¡æ
ÆÇ¸Å°¡ 252,200¿ø
(17%
) | ¸¶Àϸ®Áö 3,040¿ø(
1%)
¿¹»óÀÔ°í±â°£:
20~25ÀÏ ¼Ò¿ä¿¹Á¤
(±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù.
1:1 µµ¼¹®ÀÇ
The papers in this volume deal with central aspects of Simon Dacha (TM)s complete poetic works. One focus is on intensive textual interpretations, which take up topical research issues ...
The Marriage of Heaven and Hell
Bodleian Library
|
William Blake
| ¿ø¼ | 2011-05-15
Á¾ÇÕÆòÁ¡
¤Ó
¼Æò(0°³)
Á¤°¡ 116,800¿ø
¡æ
ÆÇ¸Å°¡ 95,800¿ø
(18%
) | ¸¶Àϸ®Áö 1,170¿ø(
1%)
¿¹»óÀÔ°í±â°£:
7~12ÀÏ ¼Ò¿ä¿¹Á¤
(±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù.
1:1 µµ¼¹®ÀÇ
Homer's People: Epic Poetry and Social Formation
Cambridge University Press
|
P. E. Easterling
| ¿ø¼ | 2011-02-11
Á¾ÇÕÆòÁ¡
¤Ó
¼Æò(0°³)
Á¤°¡ 180,600¿ø
¡æ
ÆÇ¸Å°¡ 144,500¿ø
(20%
) | ¸¶Àϸ®Áö 1,810¿ø(
1%)
¿¹»óÀÔ°í±â°£:
20~25ÀÏ ¼Ò¿ä¿¹Á¤
(±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù.
1:1 µµ¼¹®ÀÇ
The first study to examine the role and character of Homer??'s people in Homeric story-telling.
Natural Disasters
Porcepic Books
|
Andrea MacPherson
| ¿ø¼ | 2011-01-28
Á¾ÇÕÆòÁ¡
¤Ó
¼Æò(0°³)
Á¤°¡ 20,900¿ø
¡æ
ÆÇ¸Å°¡ 15,900¿ø
(24%
) | ¸¶Àϸ®Áö 160¿ø(
1%)
¿¹»óÀÔ°í±â°£:
7~12ÀÏ ¼Ò¿ä¿¹Á¤
(±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù.
1:1 µµ¼¹®ÀÇ
The Poet's Journal
Wolsak and Wynn
|
Noelle Allen
| ¿ø¼ | 2011-01-28
Á¾ÇÕÆòÁ¡
¤Ó
¼Æò(0°³)
Á¤°¡ 23,800¿ø
¡æ
ÆÇ¸Å°¡ 18,100¿ø
(24%
) | ¸¶Àϸ®Áö 180¿ø(
1%)
¿¹»óÀÔ°í±â°£:
20~30ÀÏ ¼Ò¿ä¿¹Á¤
(±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù.
1:1 µµ¼¹®ÀÇ
Bronzino: Renaissance Painter as Poet
Cambridge University Press
|
Deborah Parker
| ¿ø¼ | 2010-09-01
Á¾ÇÕÆòÁ¡
¤Ó
¼Æò(0°³)
Á¤°¡ 166,600¿ø
¡æ
ÆÇ¸Å°¡ 133,300¿ø
(20%
) | ¸¶Àϸ®Áö 1,670¿ø(
1%)
¿¹»óÀÔ°í±â°£:
20~25ÀÏ ¼Ò¿ä¿¹Á¤
(±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù.
1:1 µµ¼¹®ÀÇ
The first modern study on the poetry of Bronzino, the last great Florentine Renaissance painter.
Awater
Anvil Press Poetry
|
Martinus Nijhoff
| ¿ø¼ | 2010-08-01
Á¾ÇÕÆòÁ¡
¤Ó
¼Æò(0°³)
Á¤°¡ 23,700¿ø
¡æ
ÆÇ¸Å°¡ 17,500¿ø
(26%
) | ¸¶Àϸ®Áö 240¿ø(
1%)
¿¹»óÀÔ°í±â°£:
7~12ÀÏ ¼Ò¿ä¿¹Á¤
(±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù.
1:1 µµ¼¹®ÀÇ
"A very good Dutch poet is Nijhoff. His poem Awater is the poem to reckon with, one of the grandest works of poetry in this 20th century. It's a completely different thing. This is the ...
Lorca: Selected Poems
Anvil Press Poetry
|
Federico Garca Lorca
| ¿ø¼ | 2010-06-01
Á¾ÇÕÆòÁ¡
¤Ó
¼Æò(0°³)
Á¤°¡ 26,500¿ø
¡æ
ÆÇ¸Å°¡ 19,600¿ø
(26%
) | ¸¶Àϸ®Áö 270¿ø(
1%)
¿¹»óÀÔ°í±â°£:
7~12ÀÏ ¼Ò¿ä¿¹Á¤
(±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù.
1:1 µµ¼¹®ÀÇ
This selection of Federico Garcia Lorca's poems in Spanish, with J.L. Gili's unassuming prose versions occupying the bottom third of each page, first appeared in 1960 but was never publ...
The Lady Missionary
Kwela Books
|
Gail Dendy
| ¿ø¼ | 2010-03-15
Á¾ÇÕÆòÁ¡
¤Ó
¼Æò(0°³)
Á¤°¡ 32,100¿ø
¡æ
ÆÇ¸Å°¡ 24,400¿ø
(24%
) | ¸¶Àϸ®Áö 240¿ø(
1%)
¿¹»óÀÔ°í±â°£:
20~30ÀÏ ¼Ò¿ä¿¹Á¤
(±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù.
1:1 µµ¼¹®ÀÇ
The poems in this collection cunningly infuse realism with elements of fantasy, myth, fables, and fairytales in the process redefining and renegotiating the world. Presented with an ast...
The Ecco Anthology of International Poetry
Ecco
|
Susan Harris
| ¿ø¼ | 2010-03-01
Á¾ÇÕÆòÁ¡
¤Ó
¼Æò(0°³)
Á¤°¡ 28,000¿ø
¡æ
ÆÇ¸Å°¡ 19,600¿ø
(30%
) | ¸¶Àϸ®Áö 200¿ø(
1%)
¿¹»óÀÔ°í±â°£:
7~12ÀÏ ¼Ò¿ä¿¹Á¤
(±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù.
1:1 µµ¼¹®ÀÇ
The Ecco Anthology of International Poetry
Ecco
|
Susan Harris
| ¿ø¼ | 2010-03-01
Á¾ÇÕÆòÁ¡
¤Ó
¼Æò(0°³)
Á¤°¡ 28,000¿ø
¡æ
ÆÇ¸Å°¡ 19,600¿ø
(30%
) | ¸¶Àϸ®Áö 200¿ø(
1%)
¿¹»óÀÔ°í±â°£:
7~12ÀÏ ¼Ò¿ä¿¹Á¤
(±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù.
1:1 µµ¼¹®ÀÇ
Poetic Rhythm: An Introduction
Cambridge University Press
|
Derek Attridge
| ¿ø¼ | 2010-01-30
Á¾ÇÕÆòÁ¡
¤Ó
¼Æò(0°³)
Á¤°¡ 64,400¿ø
¡æ
ÆÇ¸Å°¡ 51,500¿ø
(20%
) | ¸¶Àϸ®Áö 640¿ø(
1%)
¿¹»óÀÔ°í±â°£:
20~25ÀÏ ¼Ò¿ä¿¹Á¤
(±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù.
1:1 µµ¼¹®ÀÇ
A straightforward and practical introduction to rhythm and meter in poetry in English.
Greek Lyric Poetry
Duckworth Publishing
|
D. A. Campbell
| ¿ø¼ | 2009-11-02
Á¾ÇÕÆòÁ¡
¤Ó
¼Æò(0°³)
Á¤°¡ 62,700¿ø
¡æ
ÆÇ¸Å°¡ 47,000¿ø
(25%
) | ¸¶Àϸ®Áö 630¿ø(
1%)
¿¹»óÀÔ°í±â°£:
7~12ÀÏ ¼Ò¿ä¿¹Á¤
(±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù.
1:1 µµ¼¹®ÀÇ
This eition provides a full and representative selection of all early Greek lyric (omitting Pindar, who requires his own volume), elegiac and iambic poetry.
1
2
3
4
5
6
7
8
9
10