·Î±×ÀÎ
¤Ó
ȸ¿ø°¡ÀÔ
¤Ó
Àå¹Ù±¸´Ï
¤Ó
°í°´¼¾ÅÍ
¤Ó
¸¶ÀÌÆäÀÌÁö
¤Ó
ȸ»ç¼Ò°³
Àüü
Àüü
±¹³»µµ¼
¿Ü±¹µµ¼
Àαâ°Ë»ö¾î
ÀϹÝ
ÀΰøÁö´É
¼ÒÇÁÆ®¿þ¾î
CAD-CAM
°è»ê±â
CD-ROM
ÄÄÆÄÀÏ·¯
ÄÄÇ»Åͱ¸Á¶
ÄÄÇ»Åͱ׷¡ÇȽº
ÄÄÇ»ÅÍ »ç¿ë ´É·Â
ÄÄÇ»ÅͰúÇÐ
º¸¾È/¾ÈÀü
ÄÄÇ»ÅͺñÀü
»çÀ̹ö³×ƽ½º
ÀÚ·áó¸®
º¹¿ø
µ¥ÀÌÅÍ Àü¼Û
µ¥ÀÌÅͺ£À̽º°ü¸®
ÀüÀÚÃâÆÇ
±³À° ¼ÒÇÁÆ®¿þ¾î
ÄÄÇ»ÅÍ IT
ÀϹÝ
°ÇÃàºñÆò
°ÇÃàµðÀÚÀÎ
°ÇÃà»ç
°ÇÃà°¡
½Ç³»µðÀÚÀÎ
Á¶°æ
°ÇÃà°èȹ
°ø°ø°Ç¹°/»ê¾÷ºôµù
Âü°íÀÚ·á
°ÇÃàÇÐ
¹®ÈÀ纸Á¸
½Ç½À
Á¾±³¹°
ÇÁ·ÎÁ§Æ® °ü¸®
±¹Á¦ °ÇÃà¼ú
°ÇÃàȸ»ç
īŻ·Î±×/Àü½Ãȸ
Áö¿ª
°Ç¹°
°ÇÃà
ÀϹÝ
Ã¥
Ŭ¸³¾ÆÆ®
Àå½ÄÀûÀÎ ¿¹¼ú
¿¡¼¼ÀÌ
À¯Çà
°¡±¸
Graphic Arts
¿ª»ç & ºñÆÇ
»ê¾÷
ÀÎÅ׸®¾î
Á¦Ç°
Âü°íÀÚ·á
Á÷¹° & º¹Àå
µðÀÚÀÎ
µå¶ó¸¶/Èñ°î
¸¸È
ÀϹÝ
¹®ÇкñÆò
½Ã
À¯¸Ó
Àü±â/ÀÚ¼Àü
¼Ò¼³
¹®ÇÐÀÌ·Ð
¹®ÇÐ
ÀϹÝ
¾ËÆÄºª
Ä¿¹Â´ÏÄÉÀ̼Ç
±Û¾²±â/ÀÛ¹®
¹®¹ý
¼Õ±Û¾¾
Àú³Î¸®Áò
¾ð¾îÇÐ
¹®ÇÐ
À½¼ºÇÐ
Àбâ
¼ö»çÇÐ
Àǹ̷Ð
¼öÈ
¿¬¼³
öÀÚ¹ý
¾ð¾î±³À°
¾îÈÖ
ÆíÁý/±³Á¤
¹ø¿ª/ÇØ¼®
¾ð¾î/¾ð¾îÇÐ
°¡Á¤/»çȸ»ýȰ
±³À°
¹üÁË
¹ýÇÐ
»çȸÇÐ
½É¸®ÇÐ
Á¤½Å
Á¾±³
öÇÐ
ÇнÀµµ±¸
»çȸÇÐ
´ëÇб³Àç
µ¶¼/±Û¾²±â
¹®ÇÐÀÌ·Ð
¹®ÇåÁ¤º¸ÇÐ
¾ð¾îÇÐ
¿ªÇÐ/»çÁÖ
À¯¾Æ±³À°
Àι®±³¾ç¹®°í
Àι®ÇÐÀϹÝ
Àι®»çȸ
ÀϹÝ
ȸ°è
ºñÁî´Ï½ºÄ¿¹Â´ÏÄÉÀ̼Ç
°æ·Â°ü¸®
º¸Çè
ÅõÀÚ & ¾ÈÀü
°æ·Â
³ë»ç¹®Á¦
¸¶ÄÉÆÃ
À繫
ºÎµ¿»ê
ÂüÁ¶
°æ·Â°ü¸®
ÆÇ¸Å°ü¸®
¼ÒÈ£/¼Ò±â¾÷
¼¼±Ý
°æÁ¦
°³º°»ê¾÷
ºñ¼
e-business
ºñÁî´Ï½º/°æÁ¦
°úÇÐ
ÈÇÐ
»ý¸í°øÇÐ
°úÇбâ¼ú
³óÇÐ
°ÇÃà
ÀüÀÚ°øÇÐ
engineering
»ê¾÷µðÀÚÀÎ
±³Åë
¼öÇÐ
ÀÚ¿¬
°øÇÐÀϹÝ/»ê¾÷°øÇÐ
»ýȰ°úÇÐ
Åä¸ñ/°Ç¼³
ȯ°æ/¼Ò¹æ/µµ½Ã/Á¶°æ
ÀÚ¿¬°úÇÐ/±â¼ú°úÇÐ
°Ç°
Áúº´
ÀÇÇÐ
°ø°øÀÇ·á
Ä¡ÀÇÇÐ
½Å°æÇÐ
°£È£ÇÐ
Á¤½Å°ú
¼öÀÇÇÐ
¼ö¼ú
¾àÇÐ
ºñ´¢±â°ú
ÀÇÇÐ/°Ç°
¿©Çà
¿ª»ç
½ÅÈ
¿ª»ç/Áö¸®/°ü±¤
°ø¿¬¿¹¼ú
»çÁø
¿¹¼ú
À½¾Ç
·¹ÄÚµåÀ½¾Ç
Áý²Ù¹Ì±â
ÆÐ¼Ç/ÀÇ·ù
¿¹¼ú/´ëÁß¹®È
ÀϹÝ
Ȱµ¿ & ¸ðÇè
µ¿¹°
¿¹¼ú
Àü±â
¼Ò³â/³²ÀÚ
»ç¾÷, °æ·Â, Á¡·É
°íÀü
¸¸È
ÄÁ¼ÁºÏ
Bedtime & Dreams
ÀÎÁ¾
µ¿È/Àü·¡µ¿È
°¡Á·
¿©ÀÚ¾ÆÀÌ
°Ç°/º¸°Ç
¿ª»ç
ÈÞÀÏ/ÃàÁ¦
°øÆ÷ & ±«´ã
ÇØÇÐ À̾߱â
¾Æµ¿¹®ÇÐ
ÀϹÝ
¾×ƼºñƼºÏ
µ¿¹°
¿¹¼ú
Àü±â/ÀÚ¼Àü
ÄÄÇ»ÅÍ
ÄÁ¼ÁºÏ
¿ä¸®
Ãë¹Ì/¿¹¼ú
µå¶ó¸¶
ÀÎÁ¾
°¡Á·
¿Ü±¹¾î ÇнÀ
°ÔÀÓ
Gardening
¿©ÀÚ¾ÆÀÌ
°Ç°/º¸°Ç
¿ª»ç
ÈÞÀÏ/ÃàÁ¦
À¯¸Ó
À¯¾Æ/¾î¸°ÀÌ
°ÔÀÓ
°íÀü/¼öÁý
½ºÆ÷Ã÷/¿©°¡
¾Ö¿Ïµ¿¹°
¿ø¿¹
Ãë¹Ì/°ø¿¹
¿µ»ó & ÀüÀÚ
°¡Á¤/»ýȰ
Ãë¹Ì/½Ç¿ë
ÀϹÝ
Áö¿ªº°
ÄÚ½º
Á¶¸®¹ý
°Ç°½Ä/Ä¡·á½Ä
À½·á
¼Õ´ÔÁ¢´ë
Àç·áº°
Å×ÀÌºí¼¼ÆÃ
ä½ÄÁÖÀÇ
°èÀýº°
À¯¾Æ½Ä
¿ä¸®
ÀϹÝ
¿¬°¨
ÁöµµÃ¥
¼Áö »öÀÎ
īŻ·Î±×
ȍ˟
µð·ºÅ丮
¹é°ú»çÀü
Áöµµ
±Û¾²±â
¿¬°¨
Æí¶÷/¸Å´º¾ó
»çÀü·ù/Âü°íÀÚ·á
ÀϹÝ
°ø¹«¿ø ¼öÇè¼
±¹°¡°í½Ã
°ø»ç/±â¾÷ ¼öÇè¼
¾È³»¼
ÄÄÇ»ÅÍ
Àι®/»çȸ/¹ý °ü·Ã
°æÁ¦/±ÝÀ¶/ȸ°è °ü·Ã
°ÇÃà/Åä¸ñ/±â°è°ü·Ã
°¡½º/¾ÈÀü/ȯ°æ °ü·Ã
À½½Ä/¹Ì¿ë °ü·Ã
ÀÇÇÐ/À§»ý °ü·Ã
º¸°Ç/ÀÇ·á °ü·Ã
¿îÀü/°ü±¤/±âŸ °ü·Ã
Ãë¾÷/»ó½Ä/¸éÁ¢
ÁøÇÐ/À¯ÇÐ
´ëÇб³Àç
ÀüÀÚ/Àü±â °ü·Ã
¼öÇè¼/ÀÚ°ÝÁõ/Ãë¾÷
ÀϹÝ
¾Ö¿Ïµ¿¹°/µ¿¹°
¿¹¼ú
ºñÁî´Ï½º
ÄÄÇ»ÅÍ
Ãë¹Ì
½Ã»ç
Àü±â/ÀüÀÚ
¿£ÅÍÅ×ÀÎ¸ÕÆ®
food/wine
°ÔÀÓ/¸¸È
lifestyle
¿£ÅÍÅ×ÀÎ¸ÕÆ®
¿ª»ç
°Ç°
Ãë¹Ì
home/housing
½ºÆ÷Ã÷
¹®ÇÐ
³²¼º
¿¬¼Ó°£Ç๰
Museum of Modern Art
ÃâÆÇ»çÀÇ µµ¼¸®½ºÆ®
Àüüµµ¼
±¹³»¼
¹ø¿ª¼
¿ø¼
ÀâÁö
¿À¸§Â÷¼ø
³»¸²Â÷¼ø
¡Ø µµ¼Á¾¼ö :
ÃÑ 91 Á¾
ÀÔ´Ï´Ù.
Modern Painting and Sculpture: 1880 to the Present at the Museum of Modern Art
Museum of Modern Art
|
John Elderfield
| ¿ø¼ | 2010-07-31
Á¾ÇÕÆòÁ¡
¤Ó
¼Æò(0°³)
Á¤°¡ 105,000¿ø
¡æ
ÆÇ¸Å°¡ 77,700¿ø
(26%
) | ¸¶Àϸ®Áö 1,050¿ø(
1%)
The Museum of Modern Art presents a deluxe, oversize view of the core holdings of the most important collection of 20th century art in the world, published on the occasion of the Museum...
Kiki Smith: Prints, Books and Things
Museum of Modern Art
|
Wendy Weitman
| ¿ø¼ | 2009-07-31
Á¾ÇÕÆòÁ¡
¤Ó
¼Æò(0°³)
Á¤°¡ 63,000¿ø
¡æ
ÆÇ¸Å°¡ 44,100¿ø
(30%
) | ¸¶Àϸ®Áö 630¿ø(
1%)
¿¹»óÀÔ°í±â°£:
7~12ÀÏ ¼Ò¿ä¿¹Á¤
(±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù.
1:1 µµ¼¹®ÀÇ
Joan Miro: Painting and Anti-Painting 1927-1937
Museum of Modern Art
|
Anne Umland
| ¿ø¼ | 2009-01-01
Á¾ÇÕÆòÁ¡
¤Ó
¼Æò(0°³)
Á¤°¡ 70,000¿ø
¡æ
ÆÇ¸Å°¡ 49,000¿ø
(30%
) | ¸¶Àϸ®Áö 700¿ø(
1%)
Edited by Anne Umland. Text by Anne Umland, Jim Coddington, Robert S. Lubar, Jordana Mendelson, Adele Nelson.
Italian Design
Museum of Modern Art
|
Paola Antonelli
| ¿ø¼ | 2008-12-01
Á¾ÇÕÆòÁ¡
¤Ó
¼Æò(0°³)
Á¤°¡ 41,900¿ø
¡æ
ÆÇ¸Å°¡ 31,000¿ø
(26%
) | ¸¶Àϸ®Áö 420¿ø(
1%)
¿¹»óÀÔ°í±â°£:
7~12ÀÏ ¼Ò¿ä¿¹Á¤
(±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù.
1:1 µµ¼¹®ÀÇ
Text by Giampiero Bosoni, Paola Antonelli.
The Printed Picture
Museum of Modern Art
|
Richard Benson
| ¿ø¼ | 2008-10-01
Á¾ÇÕÆòÁ¡
¤Ó
¼Æò(0°³)
Á¤°¡ 84,000¿ø
¡æ
ÆÇ¸Å°¡ 58,800¿ø
(30%
) | ¸¶Àϸ®Áö 840¿ø(
1%)
¿¹»óÀÔ°í±â°£:
14~21ÀÏ ¼Ò¿ä¿¹Á¤
(±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù.
1:1 µµ¼¹®ÀÇ
Vincent Van Gogh: The Starry Night
Museum of Modern Art
|
Richard Thomson
| ¿ø¼ | 2008-09-01
Á¾ÇÕÆòÁ¡
¤Ó
¼Æò(0°³)
Á¤°¡ 13,900¿ø
¡æ
ÆÇ¸Å°¡ 9,700¿ø
(30%
) | ¸¶Àϸ®Áö 140¿ø(
1%)
Pablo Picasso
Museum of Modern Art
|
Pablo Picasso
| ¿ø¼ | 2008-09-01
Á¾ÇÕÆòÁ¡
¤Ó
¼Æò(0°³)
Á¤°¡ 13,900¿ø
¡æ
ÆÇ¸Å°¡ 10,300¿ø
(26%
) | ¸¶Àϸ®Áö 140¿ø(
1%)
¿¹»óÀÔ°í±â°£:
7~12ÀÏ ¼Ò¿ä¿¹Á¤
(±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù.
1:1 µµ¼¹®ÀÇ
Henri Matisse, Pablo Picasso, Joan Miro and Andy Warhol each significantly shaped the development of art in the twentieth century. These Modern masters are the subjects of four small bo...
Henri Matisse
Museum of Modern Art
|
Carolyn Lanchner
| ¿ø¼ | 2008-09-01
Á¾ÇÕÆòÁ¡
¤Ó
¼Æò(0°³)
Á¤°¡ 13,900¿ø
¡æ
ÆÇ¸Å°¡ 10,300¿ø
(26%
) | ¸¶Àϸ®Áö 140¿ø(
1%)
¿¹»óÀÔ°í±â°£:
7~12ÀÏ ¼Ò¿ä¿¹Á¤
(±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù.
1:1 µµ¼¹®ÀÇ
Text by Christophe Cherix, Mayte Julliard.
Joan Miro
Museum of Modern Art
|
Carolyn Lanchner
| ¿ø¼ | 2008-09-01
Á¾ÇÕÆòÁ¡
¤Ó
¼Æò(0°³)
Á¤°¡ 13,900¿ø
¡æ
ÆÇ¸Å°¡ 10,300¿ø
(26%
) | ¸¶Àϸ®Áö 140¿ø(
1%)
¿¹»óÀÔ°í±â°£:
7~12ÀÏ ¼Ò¿ä¿¹Á¤
(±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù.
1:1 µµ¼¹®ÀÇ
Henri Matisse, Pablo Picasso, Joan Miro and Andy Warhol each significantly shaped the development of art in the twentieth century. These Modern masters are the subjects of four small bo...
Andy Warhol
Museum of Modern Art
|
Carolyn Lanchner
| ¿ø¼ | 2008-09-01
Á¾ÇÕÆòÁ¡
¤Ó
¼Æò(0°³)
Á¤°¡ 13,900¿ø
¡æ
ÆÇ¸Å°¡ 9,700¿ø
(30%
) | ¸¶Àϸ®Áö 140¿ø(
1%)
¿¹»óÀÔ°í±â°£:
7~12ÀÏ ¼Ò¿ä¿¹Á¤
(±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù.
1:1 µµ¼¹®ÀÇ
Henri Matisse, Pablo Picasso, Joan Miro and Andy Warhol each significantly shaped the development of art in the twentieth century. These Modern masters are the subjects of four small bo...
Van Gogh and the Colors of the Night
Museum of Modern Art
|
Joachim Pissarro
| ¿ø¼ | 2008-09-01
Á¾ÇÕÆòÁ¡
¤Ó
¼Æò(0°³)
Á¤°¡ 63,000¿ø
¡æ
ÆÇ¸Å°¡ 46,600¿ø
(26%
) | ¸¶Àϸ®Áö 630¿ø(
1%)
¿¹»óÀÔ°í±â°£:
7~12ÀÏ ¼Ò¿ä¿¹Á¤
(±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù.
1:1 µµ¼¹®ÀÇ
Published to accompany MoMA's blockbuster Fall 2008 exhibition, this superlative collection of moody, nocturnal images by Vincent van Gogh--one of the greatest and most beloved painters...
Alfredo Boulton and His Contemporaries: Critical Dialogues in Venezuelan Art 1912-1974
Museum of Modern Art
|
Ariel Jimenez
| ¿ø¼ | 2008-09-01
Á¾ÇÕÆòÁ¡
¤Ó
¼Æò(0°³)
Á¤°¡ 49,000¿ø
¡æ
ÆÇ¸Å°¡ 37,200¿ø
(24%
) | ¸¶Àϸ®Áö 370¿ø(
1%)
¿¹»óÀÔ°í±â°£:
21~30ÀÏ ¼Ò¿ä¿¹Á¤
(±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù.
1:1 µµ¼¹®ÀÇ
Edited by Ariel Jimenez. Text by Hugo Achugar, Roldan Esteva-Grillet, Elias Pino Iturrieta, Marco Negron, Luis Perez-Oramas, Sandra Pinardi, Marco Pinto, Rafael Castillo Zapata.
Modern Swedish Design: Three Founding Texts
Museum of Modern Art
|
Lucy Creagh
| ¿ø¼ | 2008-08-01
Á¾ÇÕÆòÁ¡
¤Ó
¼Æò(0°³)
Á¤°¡ 49,000¿ø
¡æ
ÆÇ¸Å°¡ 34,300¿ø
(30%
) | ¸¶Àϸ®Áö 490¿ø(
1%)
¿¹»óÀÔ°í±â°£:
7~12ÀÏ ¼Ò¿ä¿¹Á¤
(±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù.
1:1 µµ¼¹®ÀÇ
Edited by Lucy Creagh, Helena Kaberg, Barbara Miller Lane. Text by Lucy Creagh, Kenneth Frampton, Barbara Miller Lane, Helena Kaberg.
Home Delivery: Fabricating the Modern Dwelling
Museum of Modern Art
|
Barry Bergdoll
| ¿ø¼ | 2008-08-01
Á¾ÇÕÆòÁ¡
¤Ó
¼Æò(0°³)
Á¤°¡ 63,000¿ø
¡æ
ÆÇ¸Å°¡ 44,100¿ø
(30%
) | ¸¶Àϸ®Áö 630¿ø(
1%)
¿¹»óÀÔ°í±â°£:
14~21ÀÏ ¼Ò¿ä¿¹Á¤
(±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù.
1:1 µµ¼¹®ÀÇ
Edited by Barry Bergdoll, Peter Christensen. Texts by Barry Bergdoll, Peter Christensen, Ken Tadashi Oshima, Rasmus Waen.
Kirchner and the Berlin Street: The Museum of Modern Art, New York
Museum of Modern Art
|
Deborah Wye
| ¿ø¼ | 2008-08-01
Á¾ÇÕÆòÁ¡
¤Ó
¼Æò(0°³)
Á¤°¡ 49,000¿ø
¡æ
ÆÇ¸Å°¡ 36,300¿ø
(26%
) | ¸¶Àϸ®Áö 490¿ø(
1%)
¿¹»óÀÔ°í±â°£:
14~21ÀÏ ¼Ò¿ä¿¹Á¤
(±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù.
1:1 µµ¼¹®ÀÇ
Seven Structural Engineers: The Felix Candela Lectures
Museum of Modern Art
|
Guy Nordenson
| ¿ø¼ | 2008-07-01
Á¾ÇÕÆòÁ¡
¤Ó
¼Æò(0°³)
Á¤°¡ 60,800¿ø
¡æ
ÆÇ¸Å°¡ 47,400¿ø
(22%
) | ¸¶Àϸ®Áö 610¿ø(
1%)
´õÀÌ»ó Ãâ°£µÇÁö ¾Ê½À´Ï´Ù.
Edited by Guy Nordenson. Introduction by Terance Riley.
Dada in the Collection of the Museum of Modern Art
Museum of Modern Art
|
Anne Umland
| ¿ø¼ | 2008-05-01
Á¾ÇÕÆòÁ¡
¤Ó
¼Æò(0°³)
Á¤°¡ 84,000¿ø
¡æ
ÆÇ¸Å°¡ 58,800¿ø
(30%
) | ¸¶Àϸ®Áö 840¿ø(
1%)
Color Chart: Reinventing Color, 1950 to Today
Museum of Modern Art
|
Ann Temkin
| ¿ø¼ | 2008-03-01
Á¾ÇÕÆòÁ¡
¤Ó
¼Æò(0°³)
Á¤°¡ 74,300¿ø
¡æ
ÆÇ¸Å°¡ 58,000¿ø
(22%
) | ¸¶Àϸ®Áö 740¿ø(
1%)
´õÀÌ»ó Ãâ°£µÇÁö ¾Ê½À´Ï´Ù.
Text by Ann Temkin, Briony Fer. Melissa Ho, Nora Lawrence.
Design and the Elastic Mind
Museum of Modern Art
|
Museum of Modern Art
| ¿ø¼ | 2008-03-01
Á¾ÇÕÆòÁ¡
¤Ó
¼Æò(0°³)
Á¤°¡ 42,000¿ø
¡æ
ÆÇ¸Å°¡ 34,400¿ø
(18%
) | ¸¶Àϸ®Áö 420¿ø(
1%)
´õÀÌ»ó Ãâ°£µÇÁö ¾Ê½À´Ï´Ù.
Edited by Paola Antonelli. Text by Paola Antonelli, Hugh Aldersey-Williams, Peter Hall, Ted Sargent.
The Museum of Modern Art: Book of Cartoons
Museum of Modern Art
|
New Yorker
| ¿ø¼ | 2008-03-01
Á¾ÇÕÆòÁ¡
¤Ó
¼Æò(0°³)
Á¤°¡ 20,900¿ø
¡æ
ÆÇ¸Å°¡ 15,500¿ø
(26%
) | ¸¶Àϸ®Áö 210¿ø(
1%)
¿¹»óÀÔ°í±â°£:
21~30ÀÏ ¼Ò¿ä¿¹Á¤
(±Ù¹«ÀϱâÁØ)
ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù.
1:1 µµ¼¹®ÀÇ
When The Museum of Modern Art first opened its doors on November 8, 1929--in less than 5,000 square feet of rented office space in midtown Manhattan--it was considered a radical experim...
1
2
3
4
5