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  The Films of Martin Ritt: Fanfare for the Common Man  
University Press of Mississippi | Gabriel Miller | ¿ø¼­ | 2014-07-09  
Á¾ÇÕÆòÁ¡ ¤Ó ¼­Æò(0°³)
Á¤°¡ 43,800¿ø ¡æ ÆÇ¸Å°¡ 35,900¿ø (18%) | ¸¶Àϸ®Áö 440¿ø(1%)
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ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù. 1:1 µµ¼­¹®ÀÇ
The first in-depth critical analysis of Rittas films and a justification of his renown as Americaas premier social-issues filmmaker
  Censorship of the American Theatre in the Twentieth Century  
Cambridge University Press | Don B. Wilmeth | ¿ø¼­ | 2014-06-18  
Á¾ÇÕÆòÁ¡ ¤Ó ¼­Æò(0°³)
Á¤°¡ 165,200¿ø ¡æ ÆÇ¸Å°¡ 132,200¿ø (20%) | ¸¶Àϸ®Áö 1,650¿ø(1%)
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ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù. 1:1 µµ¼­¹®ÀÇ
Explores the impact of censorship in twentieth-century American theatre.
  Guiltless Pleasures: A David Sterritt Film Reader  
University Press of Mississippi | David Sterritt | ¿ø¼­ | 2014-02-25  
Á¾ÇÕÆòÁ¡ ¤Ó ¼­Æò(0°³)
Á¤°¡ 43,800¿ø ¡æ ÆÇ¸Å°¡ 35,900¿ø (18%) | ¸¶Àϸ®Áö 440¿ø(1%)
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ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù. 1:1 µµ¼­¹®ÀÇ
The latest and best from one of Americaas most respected film critics
  Contemporary Korean Cinema: Culture, Identity and Politics  
Manchester University Press | Hyangjin Lee | ¿ø¼­ | 2013-11-01  
Á¾ÇÕÆòÁ¡ ¤Ó ¼­Æò(0°³)
Á¤°¡ 51,100¿ø ¡æ ÆÇ¸Å°¡ 38,300¿ø (25%) | ¸¶Àϸ®Áö 380¿ø(1%)
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ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù. 1:1 µµ¼­¹®ÀÇ
This comprehensive book defines the significance of film-making and film viewing in Korea. Covering the introduction of motion pictures in 1903, Korean cinema during the Japanese coloni...
  Defining Cult Movies: The Cultural Politics of Oppositional Taste  
Manchester University Press | Mark Jancovich | ¿ø¼­ | 2013-11-01  
Á¾ÇÕÆòÁ¡ ¤Ó ¼­Æò(0°³)
Á¤°¡ 43,800¿ø ¡æ ÆÇ¸Å°¡ 32,900¿ø (25%) | ¸¶Àϸ®Áö 330¿ø(1%)
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This collection concentrates on the analysis of cult movies, how they are defined, who defines them and the cultural politics of these definitions. The definition of the cult movie reli...
  Jack Clayton  
Manchester University Press | Neil Sinyard | ¿ø¼­ | 2013-09-30  
Á¾ÇÕÆòÁ¡ ¤Ó ¼­Æò(0°³)
Á¤°¡ 45,200¿ø ¡æ ÆÇ¸Å°¡ 33,900¿ø (25%) | ¸¶Àϸ®Áö 340¿ø(1%)
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Francois Truffaut called "The Innocents" "the best English film after "Hitchcock Goes to America." " Tennessee Williams said "The Great Gatsby" was "a film whose artistry even surpassed...
  Terence Fisher  
Manchester University Press | Peter Hutchings | ¿ø¼­ | 2013-09-01  
Á¾ÇÕÆòÁ¡ ¤Ó ¼­Æò(0°³)
Á¤°¡ 36,400¿ø ¡æ ÆÇ¸Å°¡ 27,300¿ø (25%) | ¸¶Àϸ®Áö 270¿ø(1%)
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This book offers an appreciation of Terence Fisher's films and also gives a sense of his place in British film history. Looking at Fisher's career as a whole not only underlines his imp...
  Media and Communication Research: A Handbook  
Palgrave MacMillan | Simon Cottle | ¿ø¼­ | 2013-06-17  
Á¾ÇÕÆòÁ¡ ¤Ó ¼­Æò(0°³)
Á¤°¡ 131,400¿ø ¡æ ÆÇ¸Å°¡ 101,200¿ø (23%) | ¸¶Àϸ®Áö 1,310¿ø(1%)
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Building directly on the success of its predecessor, "Mass Communication Research Methods," this book provides a clear and accessible introduction to key research methods, approaches an...
  Television, Cult, and the Fantastic  
Hodder Arnold | Sara G. Jones | ¿ø¼­ | 2013-06-15  
Á¾ÇÕÆòÁ¡ ¤Ó ¼­Æò(0°³)
Á¤°¡ 41,900¿ø ¡æ ÆÇ¸Å°¡ 34,800¿ø (17%) | ¸¶Àϸ®Áö 420¿ø(1%)
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  America on Film: Modernism, Documentary, and a Changing America  
Cambridge University Press | Sam B. Girgus | ¿ø¼­ | 2013-03-12  
Á¾ÇÕÆòÁ¡ ¤Ó ¼­Æò(0°³)
Á¤°¡ 50,400¿ø ¡æ ÆÇ¸Å°¡ 40,300¿ø (20%) | ¸¶Àϸ®Áö 500¿ø(1%)
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ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù. 1:1 µµ¼­¹®ÀÇ
Examines how the notion of 'American' has changed from American cinema up to the 1950s.
  When Hollywood Loved Britain: The Hollywood 'British' Film 1939-1945  
Manchester University Press | Mark Glancy | ¿ø¼­ | 2013-03-01  
Á¾ÇÕÆòÁ¡ ¤Ó ¼­Æò(0°³)
Á¤°¡ 36,400¿ø ¡æ ÆÇ¸Å°¡ 27,300¿ø (25%) | ¸¶Àϸ®Áö 270¿ø(1%)
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ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù. 1:1 µµ¼­¹®ÀÇ
"When Hollywood Loved Britain" examines the Hollywood "British" film--American feature films that were set in Britain, based on British history or literature and included the work of Br...
  Moments of Truth: Monologues for Teen Girls and Young Women  
Lulu.com | Jennifer Tressen | ¿ø¼­ | 2013-03-01  
Á¾ÇÕÆòÁ¡ ¤Ó ¼­Æò(0°³)
Á¤°¡ 20,400¿ø ¡æ ÆÇ¸Å°¡ 15,100¿ø (26%) | ¸¶Àϸ®Áö 200¿ø(1%)
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ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù. 1:1 µµ¼­¹®ÀÇ
A collection of thirty brutally honest monologues, Moments of Truth delves into the minds of teen girls and young women and delivers the truth. Based upon real stories these monologues ...
  Modern Drama in Theory and Practice: Volume 2, Symbolism, Surrealism and the Absurd  
Cambridge University Press | J. L. Styan | ¿ø¼­ | 2013-01-25  
Á¾ÇÕÆòÁ¡ ¤Ó ¼­Æò(0°³)
Á¤°¡ 56,000¿ø ¡æ ÆÇ¸Å°¡ 44,800¿ø (20%) | ¸¶Àϸ®Áö 560¿ø(1%)
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ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù. 1:1 µµ¼­¹®ÀÇ
The theories of Wagner and Nietzsche provide the basic principles for this volume, disseminated by the work of Appia and Craig, and affecting the later plays of Ibsen, Maeterlinck, and ...
  Rescripting Shakespeare: The Text, the Director, and Modern Productions  
Cambridge University Press | Alan C. Dessen | ¿ø¼­ | 2012-11-07  
Á¾ÇÕÆòÁ¡ ¤Ó ¼­Æò(0°³)
Á¤°¡ 68,600¿ø ¡æ ÆÇ¸Å°¡ 54,900¿ø (20%) | ¸¶Àϸ®Áö 690¿ø(1%)
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ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù. 1:1 µµ¼­¹®ÀÇ
Alan Dessen examines the pluses and minuses of directors' rescripting or rewrighting of Shakespeare's playtexts.
  Recycled Culture in Contemporary Art and Film: The Uses of Nostalgia  
Cambridge University Press | Dudley Andrew | ¿ø¼­ | 2012-10-18  
Á¾ÇÕÆòÁ¡ ¤Ó ¼­Æò(0°³)
Á¤°¡ 56,000¿ø ¡æ ÆÇ¸Å°¡ 44,800¿ø (20%) | ¸¶Àϸ®Áö 560¿ø(1%)
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ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù. 1:1 µµ¼­¹®ÀÇ
This study explores works of art and film that resist the pull of the past.
  Shakespeare and Theatrical Patronage in Early Modern England  
Cambridge University Press | Paul Whitfield White | ¿ø¼­ | 2012-09-14  
Á¾ÇÕÆòÁ¡ ¤Ó ¼­Æò(0°³)
Á¤°¡ 176,400¿ø ¡æ ÆÇ¸Å°¡ 141,100¿ø (20%) | ¸¶Àϸ®Áö 1,760¿ø(1%)
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ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù. 1:1 µµ¼­¹®ÀÇ
A wide-ranging study of patronage, relating to Shakespeare and the culture of his time.
  Eroticism on the Renaissance Stage: Transcendence, Desire, and the Limits of the Visible  
Cambridge University Press | Celia R. Daileader | ¿ø¼­ | 2012-08-29  
Á¾ÇÕÆòÁ¡ ¤Ó ¼­Æò(0°³)
Á¤°¡ 184,800¿ø ¡æ ÆÇ¸Å°¡ 147,800¿ø (20%) | ¸¶Àϸ®Áö 1,850¿ø(1%)
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ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù. 1:1 µµ¼­¹®ÀÇ
Eroticism on the early modern English stage, and the analogous suppression of religious drama.
  Narrative and Media  
Cambridge University Press | Rosemary Huisman | ¿ø¼­ | 2012-08-14  
Á¾ÇÕÆòÁ¡ ¤Ó ¼­Æò(0°³)
Á¤°¡ 72,800¿ø ¡æ ÆÇ¸Å°¡ 58,200¿ø (20%) | ¸¶Àϸ®Áö 730¿ø(1%)
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ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù. 1:1 µµ¼­¹®ÀÇ
Applies contemporary narrative theory to media texts, including film, television, radio, advertising and print journalism.
  Playing Companies and Commerce in Shakespeare's Time  
Cambridge University Press | Roslyn Lander Knutson | ¿ø¼­ | 2012-08-01  
Á¾ÇÕÆòÁ¡ ¤Ó ¼­Æò(0°³)
Á¤°¡ 161,000¿ø ¡æ ÆÇ¸Å°¡ 128,800¿ø (20%) | ¸¶Àϸ®Áö 1,610¿ø(1%)
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ÇöÁö»çÁ¤¿¡ ÀÇÇØ Áö¿¬ µÉ ¼ö ÀÖ½À´Ï´Ù. 1:1 µµ¼­¹®ÀÇ
Examines commercial relations among the theatre companies in London in Shakespeare's time.
  William Forsythe: Improvisation Technologies  
Hatje Cantz Publishers | William Forsythe | ¿ø¼­ | 2012-06-30  
Á¾ÇÕÆòÁ¡ ¤Ó ¼­Æò(0°³)
Á¤°¡ 63,000¿ø ¡æ ÆÇ¸Å°¡ 44,100¿ø (30%) | ¸¶Àϸ®Áö 630¿ø(1%)
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