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판매가 |
84,000원 → 62,200원  26% |
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마일리지 |
 0% 0원 |
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발행일 |
2009-09-01 | 중량: 1.76 kg | 사이즈: 18.6*23.1*5.3 cm
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ISBN |
0672329921 | 9780672329920
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기타정보 |
원서 | 800쪽
| $ 59.99
| Hardcover
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예상입고일
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14~21일 소요예정 (근무일기준) |
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배송비 |
무료배송
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정가, 판매가는 항공 운임료 포함 |
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| 컴퓨터그래픽스
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※ NAVER Pay로 구매시 제주지역은 5만원 미만 결재의 경우 배송비가 추가 될 수 있습니다.
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도서재고 |
미국 실시간 현지재고 - Indiana : 0 권, Tennessee : 0 권
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주의사항 |
- 현지사정에 의해 지연, 품절 될 수 있습니다.- 해외주문원서는 취소 및 반품이 불가능합니다.(단, 파본이나 오발송은 제외 입니다.)- 수입절차/입고소요기간 자세히 |
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Mastering Unreal Technology, Volume II: Advanced Level Design Concepts with Unreal Engine 3 is your start-to-finish guide to state-of-the-art Unreal Tournament 3 modding and level design. Here’s everything you need to know to take your game design skills to the next level, creating content with breakthrough depth and interactivity! Your authors aren’t just the world’s #1 Unreal game development trainers: They’ve built the training mods that shipped with Unreal Tournament. Now, working with the full cooperation of Unreal Engine 3’s creators, Epic Games, they introduce innovative, pro-quality techniques you’ll find nowhere else: outstanding solutions for everything from particle effects to physics, materials to cinematics. Packed with tips, hands-on tutorials, and expert insight, Mastering Unreal Technology, Volume II will help you take Unreal Tournament 3 and Unreal Engine 3 to the limit...and then blow right by it!
You’ll find expert tips on
•Creating advanced materials that leverage the full power of UnrealEd’s Material Editor
•Bringing levels to life with objects affected by gravity, collisions, and player influence
•Creating fire, smoke, sparks, and more with Unreal Engine 3’s particle effects system
•Building custom user interfaces, including Heads-Up Displays (HUDs) that update constantly
•Using SoundCues to mix, modulate, crossfade, and attenuate sounds
•Generating real-time camera-based effects, including depth of field, motion blur, and color adjustment
•Using post process effects to quickly transform a scene’s look and feel without changing existing materials or textures
•Animating characters and vehicles that move with unprecedented realism
•Creating in-game cinematics that develop your characters and move your story forward
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Table of Contents
CHAPTER 1: Introduction to Advanced Level Design . . . 1
Who Is This Book For? . . . 2
What Should You Know Before You Start? . . . 2
What We Mean By “Advanced” Level Design . . . 3
Included Assets and Game Assets . . . 3
Working with INI Files . . . 4
Future Software Changes . . . 5
CHAPTER 2: Advanced Material Construction . . . 7
Material Instancing and Parameters . . . 7
Blending . . . 9
UV Manipulation . . . 10
Normals . . . 11
Depth . . . 12
Special Lighting . . . 13
Reflections . . . 14
Distortion . . . 14
Transparency . . . 15
Subsurface Scattering . . . 16
Custom Lighting Models . . . 16
Summary . . . 151
CHAPTER 3: Working with Volumes . . . 153
Available Volume Types . . . 154
Basic Volume Properties . . . 156
BlockingVolumes . . . 156
PhysicsVolumes . . . 159
TriggerVolume . . . 170
PostProcessVolume . . . 186
LevelStreamingVolume . . . 188
LightVolume . . . 188
ColorScaleVolume . . . 189
ReverbVolume . . . 189
RB_ForceFieldExcludeVolume . . . 190
UTAreaNamingVolume . . . 190
UTAutoCrouchVolume . . . 190
FoliageFactory . . . 190
Summary . . . 192
CHAPTER 4: Physics Objects . . . 193
Types of Physics Objects . . . 193
The Concept of Rigid Bodies . . . 196
Working with Rigid Bodies in Unreal . . . 197
KActors . . . 200
KAssets . . . 208
Constraints . . . 211
The Physics Asset Tool (PhAT) . . . 229
Cloth . . . 245
Impulse and Force Actors . . . 252
Physics-Specific Kismet Sequence Objects . . . 258
Physical Materials . . . 263
Summary . . . 268
CHAPTER 5: Creating Special Effects with Particle Systems . . . 269
Anatomy of a Particle System . . . 271
TypeData Modules . . . 283
Modules . . . 286
Cascade Particle System Editor . . . 293
Particle-Specific Material Expressions . . . 301
Types of Particle Modules . . . 312
Beam Emitters . . . 356
Mesh Emitters . . . 374
Trail Emitters . . . 382
Fluid Emitters . . . 393
Levels of Detail . . . 397
Emitter Actor . . . 406
Modifying Particle Systems In-Game . . . 407
Troubleshooting the Effect . . . 480
Summary . . . 481
CHAPTER 6: Creating User Interfaces . . . 483
UI Components . . . 483
UIs Versus HUDs . . . 484
UI Design Workflow Overview . . . 485
The UI Scene Editor . . . 492
The UI Widgets . . . 496
Working with Widgets . . . 498
Widgets States . . . 513
Widget Navigation and the Focus Chain . . . 541
Working with User Inputs . . . 543
Data Stores . . . 548
Styles and Skins . . . 549
Fonts . . . 566
Adding Functionality . . . 569
Sounds . . . 598
Creating HUDs . . . 600
Summary . . . 601
CHAPTER 7: Sound System . . . 603
Sound Types . . . 604
USounds Versus SoundCues . . . 604
The AmbientSound Actors . . . 612
The SoundCue Editor . . . 613
SoundCue Nodes . . . 614
Kismet Sound Actions . . . 632
Working with Music . . . 638
Working with MusicTrackBanks . . . 642
Summary . . . 666
CHAPTER 8: Post-Process Effects . . . 667
The Four Key Methods of Controlling Post-Processes . . . 668
Accessing and Assigning PostProcessEffect Objects . . . 670
Types of Post-Process Effects . . . 675
Post-Process Editor . . . 681
Controlling Post-Process Effects In-Game . . . 715
Summary . . . 716
CHAPTER 9: The Unreal Animation System . . . 717
The Unreal Animation System . . . 718
Skeletal Animation . . . 723
Morph Animation . . . 734
AnimSet Editor . . . 737
Animation Blending . . . 753
AnimTree Editor . . . 754
AnimTree Editor Nodes . . . 770
Morph Nodes . . . 796
Facial Animation with FaceFX . . . 839
FaceFX Studio . . . 840
FaceFX Studio User Interface . . . 872
Physical Animation . . . 900
Setup Procedure for Physical Animation . . . 906
Skeletal Mesh Actors . . . 907
Skeletal Mesh Component . . . 907
Summary . . . 909
CHAPTER 10: Creating Cinematic Sequences . . . 911
Cinematic Sequences . . . 911
Camera Actor . . . 915
Camera Effects . . . 916
Image Separation Through Lighting . . . 920
DumpMovie Command . . . 920
Putting It All Together . . . 920
Summary . . . 999
APPENDIX A: Distributions . . . 1001
Overview . . . 1001
Distribution Types In-Depth . . . 1003
General Performance Cost Comparison . . . 1019
APPENDIX B: The Curve Editor . . . 1023
Animation Curves . . . 1024
Controlling Interpolation Curves . . . 1026
Curve Editor Interface . . . 1030
Preset Curves . . . 1035
Index . . . 1039
CD-ROM fixes
Download the missing Chapter 2 maps
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Jason Busby is the founder of 3D Buzz (www.3dbuzz.com) a digital animation consultancy and training firm. Jason is also the Director of Animation for The Renaissance Center in Dickson, TN. He has over 15 years experience in programming and digital animation and is expert in the creation of digital video training. See http://www.xsibase.com/articles.php?detail=21 for an online interview with the author.
Zak Parrish is currently an animation instructor at The Renaissance Center, where he teaches both Alias Maya and Discreet 3ds max. For the past two years, he has worked with Jason Busby and 3D Buzz, Inc. to help provide top-quality education to students across the world. His work can be seen on many of the 3D Buzz VTMs as well as in the UT2004 Special Edition training video series. In what little spare time he manages, he is also seeking his bachelor of fine arts degree at Austin Peay State University. |
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